![]() ![]() Patrick’s Day Parade, and more in crisp, detailed widescreen compositions that provide a vivid sense of urban life in the early ’80s. ![]() The City of Dreams takes ample advantage of the 65mm frame, capturing the hustle and bustle of the Loop, the elevated trains, the Chicago Mercantile Exchange, the St. A voiceover breezily acknowledges the wonders of Rome and Paris, only to aver, “If you want to see the 20th century, you come to Chicago, because these are the monuments of our time.” (The film cheats a little by including the striking Bahá'í House of Worship in suburban Wilmette in its architectural honor roll.) The film closes with a photomontage that recounts the city’s history. Chicago’s architecture receives pride of place. ![]() Hearne’s crew exposed 32,000 feet of 65mm negative for The City of Dreams, with ample aerial footage from around the city. ![]() But when we prodded them, they displayed pride and a developing consciousness that Chicago really is a world class city.” “A lot of Chicagoans we interviewed were first shy about expressing their true feelings for the city,” said Hearne. Home of The Todd-AO Festivalįrame grab from "Here's Chicago. Peripheral Vision, Scopes, Dimensions and Panoramas The interviews drew upon the city’s most reluctant boosters - its citizens.Įuropean Premiere at the 16. The show was culled from over 40,000 photographs, largely the work of Bob Frerck, Brian Seed, and Dan Morrill. The plan for Here’s Chicago! included a gift shop, a rotating group of temporary exhibits, and two permanent audiovisual centerpieces: Heartbeat Chicago and The City of Dreams, both spearheaded by marketing and communications consultant Ted Hearne.Ī quadraphonic cacophony of civic pride, Heartbeat Chicago was a 20-minute slideshow utilizing 2,500 images and 63 projectors, with snippets of audio interviews backed by Chicago Symphony Orchestra’s performance of an original composition from John Tatgenhorst. Hartnett kept his end of the bargain and raised some $3.5 million from 32 investors. The City Council agreed to rent the Pumping Station for $42,000 a year, plus a steadily rising share of net profits, which would eventually top out at 50%. The proposal had seemingly appeared out of the blue, prompting several aldermen to suspect that the exhibition was intended as a stealth advertisement for Mayor Jane Byrne’s 1983 re-election campaign.īy November 1982, the political considerations had been ironed out, with an announcement that camera crews would be filming around the city and interviewing everyday Chicagoans. Hartnett approached the City Council Finance Committee in June 1982 about his plan to rent the Pumping Station, promising millions in private investment if the City granted a 20-year lease. Although the Pumping Station still provided water to 400,000 Chicagoans, it had been closed to the public for five decades, even as the vibrant Magnificent Mile shopping district had grown up around it. (1924 - 2013), who had developed United Nations Plaza in New York and Lake Point Tower in Chicago (the world’s tallest apartment building upon its opening), Here’s Chicago! was promoted as a public-private partnership that would revitalize a historic structure. The brainchild of real estate magnate William F. Less than a decade after that designation, the Pumping Station would improbably become the site of Here’s Chicago!, a short-lived but controversial multimedia tourist attraction that included The City of Dreams, a rare 70mm entry in that most cut-and-dried of genres, the municipal travelogue. One of the only structures on the City’s North Side to survive the Great Chicago Fire of 1871, the Pumping Station became a symbol of civic resilience and was inducted into the National Register of Historic Places in 1975. Michigan Avenue is an ornate Gothic building completed in 1869. The City of Dreams"Ĭhicago’s Water Tower Pumping Station at 801 N. Here’s Chicago! features breathtaking shots of the city and “Where’s Waldo” scale opportunities for watching the inhabitants. Written by: Kyle Westphal and Julian Antos, Ted Hearne, 1983, 13 min, 70mm with DTS sound Visit biografmuseet.dk about Danish cinemas Readers and fans of 70mm are always welcome to contribute.Įxtracts and longer parts of may be reprinted with the written permission from the editor.Ĭopyright © 1800 - 2070. , a unique internet based magazine, with articles about 70mm cinemas, 70mm people, 70mm films, 70mm sound, 70mm film credits, 70mm history and 70mm technology.Both during making and during running the films in projection rooms and as the audience, looking at the curved screen. To record the history of the large format movies and the 70mm cinemas as remembered by the people who worked with the films. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |